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This movie is a completely different beast than ‘Lock, Stock & Two Smoking Barrels’, and ‘Snatch’. I enjoyed both of those movies immensely. But Revolver is quite current to any movie I have seen.
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I actually saw this movie a few years ago. It was released in the UK and Europe in 2005 in theatres and DVD. I purchased a copy online. I wondered at the time why it hadn’t been released in the U.S.
Firstly, I cannot say worthy about the yarn, because I don’t want to give anything away. It’s that type of movie. Reminded me of the first time I saw ‘Fight Club’. I said, “what the f—? ” But I knew I’d unprejudiced witnessed something elegant awesome. Definitely a movie you have to eye twice.
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I would really emphasize that to anyone involved in this film. It REQUIRES multiple viewings. I figured the movie out midway through the second observe. But it took several viewings to fully understand. Also, seeing other reviewers on different sites when the movie originally came out, it was definitely those who watched it several times to understand it that fell in care for with ‘Revolver’.
A warning here for some of you: lots of violence and blood and profanity. If that’s alright with you, the movie is a thrill to contemplate. It tries some different things that really worked for me. Proper sound editing, with the gritty swear over by Jason Statham. The editing is frantic. I have to say, the Elevator Scene, you’ll know what I am referring to after viewing, is one of the most intense movie scenes I’ve ever seen.
That scene, and the finale. The final scene. In a word, INTENSE. This movie really goes out with a bang. One of my common all-time endings. Ray Liotta, astounding. Sizable to discover him with a top notch performance. Statham carries the movie. Also, Sorter, the hitman, really has a classic performance.
‘Revolver’ is filled with memorable scenes. They went out on a limb trying fresh things and it really paid off. Notably, the enthralling sequence is fair wintry. Dialogue: Fabulous. Some of the things Jake (Statham) says in the voiceover, it’s objective really broad stuff. And I loved the blueprint they worked the quotes into the movie.
I understand that it could be a frustrating and very confusing movie to many. Again, I would highly recommend multiple viewings. But this is no doubt a movie not to be liked by all. But some of you will adore it as I did.
‘Revolver’ really demands your attention. It has a deep and wintry message tedious all of it. This movie is determined to be a cult classic. Give it 5-10 years and some people will stare it for what it is. A masterpiece.
The final interrogate you’ll be asking… Who is Sam Gold?
UPDATE March 21st, 2008: This review is actually for the UK version. I rented the US version tonight, because it is a astronomical movie and I haven’t seen it in a while. Turns out, the movie has been changed quite drastically the US release.
The unusual ending, which is one of my all-time well-liked endings (as well-known in the review) is gone! The elevator scene, which happens advance the 3/4’s designate in the fresh version, is section of the ending here. A few other parts were completely sever out.
I feel like they botched it. Reminds me of ‘Once Upon a Time in America’, where they released the ridiculously edited and slice version and it bombed. But the beefy length version of that film is a masterpiece.
My STRONG ADVICE: Forget about this one. Fetch an all-region dvd player and recall the Set 2 version on eBay for $20.
Guy Ritchie says he got into the film business because he always wanted to teach enthralling movies. And his latest crime thriller “Revolver” is exactly that. It’s heavily flawed and utterly ridiculous, but at least it’s bewitching. The chronicle, confusing as it is, focuses on Jake Green (Jason Statham), a lustrous gambler who puts his life on the line when he insults Dorothy Macha (Ray Liotta), a worthy casino owner. After Macha orders his ruthless killers to seize him out, Jake seeks shelter with two con men offering to protect him in return for his fortune.
“Revolver” is as chaotic as a massive shoot-out in which it’s nearly impossible to figure out who’s shooting whom. Ritchie’s script is a total, pseudo-philosophical mess, digging deep into the intricacies of the human ego. Ritchie also plays around with distinct rules and formulas to pull off the ultimate con, but the whole game belief is ludicrously over the top. Meanwhile, the characters exercise most of the time tossing around wise rules instead of delivering a coherent exchange of dialogue. “You can only pick up smarter by playing a smarter opponent” or “The greatest enemy will veil in the last station you would ever survey” are objective two of a horde of examples. The film also ends with a major twist, but if you haven’t lost track of things or even care enough to end focused until the waste, chances are you won’t be surprised.
I initially expected more from the actors, but they’re certainly not in their best shape. Jason Statham is always obliging at playing tough guys looking for wretchedness, and he’s undoubtedly the only cast member to set on a marvelous indicate as Jake Green. Ray Liotta struggles in the role of malicious casino tyrant, but the only intimidating thing is his underwear. He really could’ve dilapidated more clothes. As for Andre Benjamin and Vincent Pastore, their shallow performances almost go unnoticed.
On a more distinct brand however, “Revolver” is incredibly fast-paced and action-loaded. No matter how confusing or ludicrous the situation really is, the movie is stuffed with hot pursuits and crazy shoot-outs, captured stylishly by cinematographer Tim Maurice-Jones. In the kill, despite the crippled script, Ritchie’s direction and vision give design for some extravagant but compelling sequences that will withhold the entertainment boat afloat for 105 minutes. I recommend this flick to Ritchie fans who are blissful he dumped “Swept Away” and returned to the action genre.
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